I must start out by going back in time, when I first began my love with doll making and my first impressions of ADQ "way back then." Then I'll fast forward to what I find now, after not having seen it for some time. I think it will be interesting, so please bear with me!
**TIME WARP** Seattle, WA 2003
Bought an EXPENSIVE (how could I afford justify???) Husqvarna Designer 1 with a FLOPPY DISK lol! for
I could not help but stare at them.
How utterly shocking and intriguing- perhaps the most shocking and intriguing thing I had ever seen- grown women having a show and tell of dolls!? I had to find out what was going on over there. I walked right up to the group. My mouth must have been gaping or something. I must have had the 'spellbound' look on my face because I left my machine parked on a table on the other side of the room and was quickly ushered into a vacant seat. Everyone was friendly, and they let me get a closer look at their dolls.
The ladies were passing around this "brand new magazine called Art Doll Quarterly." I could not believe my eyes. What, a doll making magazine for adults? Who ever heard of such a thing? Is it even allowed? Needless to say, I fell in love with the art of doll making instantly, and have been in a trance ever since!
|The first issue of ADQ|
I was impressed because of the audacity of it- grown people reading about dolls. The pages were not cheap and flimsy. It felt good in my hands. There were all kinds of dolls in it from all kinds of artists. And the thing that impressed me the most is that the artists were ordinary people from all around the country and all around the world. Ordinary people like ME who can't necessarily explain why they love dolls. And don't HAVE to. Bravo!
By the way, the artist profile in this premiere ADQ is Akira Blount, who the doll making world just lost very recently, may she rest in peace.
**Fast forward** Some of my work was published in ADQ: Fuscia
and a mischeivous theft-prone goblin who can only be pacified with Turkish coffee-
PAGAZ - Found Object Aficionado of the Sky
PAGAZ appeared in this 2006 edition
Nothing was more delightful than to see my "babies" printed in ADQ.
I can remember many rainy weekends picking up random issues and re-reading them for the 10th or 11th time. I drew much inspiration from this particular magazine, just knowing that there were others out there who shared my same passion. It made me feel very special. I collected ADQ until eventually I moved to Brooklyn, NY to get married to my dear husband, David. NYC hasn't been an inspiring place for me because of the stress of the city, and because it's so expensive to live here that I don't afford myself the time to relax and be an artist much these days. So it was a real pleasure to pick ADQ up once again.
**Fast forward even more** Winter, 2013 edition of ADQ
It's mid-November, and I'm bracing myself (grumble) for the holiday shopping season. I'm Jewish, and oftentimes I get very aggravated by all the advertising, consumerism and alienation that I feel during the end of the year. "Winter wonderland" ends in December... there's no January or February! Just kidding. Anyway you understand. I'm sure that my being Jewish has very little to do with it... I know people feel this way too. It's all about selling and selling and selling, and I don't like it. It's overkill. I just want to enjoy the season for what it is, the way it was created, in all its beauty and splendor.
So............. I open my mailbox, and there it is, in my hands once again. ADQ. Winter. 2013. I get into the elevator and all these thoughts come rushing through my mind....what's in this magazine? Am I going to like it? How is it going to make me feel? In a quick one-and-a-half-minute elevator ride, I was whirling around in my own mind, bracing myself and basically expecting to find a doll magazine filled to the rim with everything that I'm not interested in. But I was wrong!
What I did find was page after page of interesting techniques, inspiring projects and the same high-quality paper and fabulously inspirational photography that took my breath away 10 years ago when I saw that first issue. There were familiar, artists whom I have "known" for years, like Shelley Thornton, Marlene Verhelst, Annie Wahl and Adele Sciortino. I'm particularly fond of Adele because she and I exchanged fabrics and notions across the ocean when I was overseas in Israel for a short time. I loved Marlaine's article about creating facial expressions.
I was mesmerized by Connie Smith, whose work is 100% new to me. I thoroughly enjoyed reading about (and seeing!) her anthropormorphic dolls. WOW.
I was touched by Julie Branch when she talked about a woman who "flabbergasted" her by asking [about her dolls on display, perched all around her] "So why do you make them?" This is a question we all must ask ourselves. She beckoned me to read further into the magazine.
I found myself unraveling, going back into my expressive, curious artist self. It felt so comfortable. Turning the pages, I was delighted to see the "song dolls." What a perfect idea! Rod Steward "Do You Think I'm Sexy?" made me CRACK UP. This was not something I was expecting to find in a winter wonderland!
I did see some elves, but these were cute LOL! In the Show and Tell section, there are these funny winter frogs named Ralph and Justin, by Cheryl Riello. Winter frogs? What a sense of humor!
Would you believe there was a Hawaiian Santa? I think he's brilliant. Despite my original apprehensions, he really appealed to me because I got a very positive message. It was like saying, "I'm not like everyone else, but I still belong here and I have a great time and I'm beautiful!" He hit the nail right on the head. Thank you, Becky Supon for creating him (and the seahorse!) and thank you, ADQ for choosing such a brilliant Santa inclusion.
There were many other interesting artists, dolls and ideas in this issue of Art Doll Quarterly. If you haven't seen it yet, I suggest you pick it up. You might be in for a nice surprise!